FORTHCOMING Fall 2025
In Frantz Fanon’s eyes, decolonization “sets out to change the order of the world.” Is that even possible today? If it is in any sense possible in our times, what would this involve: what kind of changes? a decolonial manual is an adventure in thinking through these questions with a hopeful attention on meaningful, enworlded[…]
Imprint: Brainstorm Books
Published: 09/28/2024
To fight the gods—you must first become a slave. Our universe is dead. All that’s left are memories. But the powers indigenous to the new world are fighting back. Alexander, a handsome immigrant fleeing trouble in his poor native land, doesn’t even have a claim to his own name in the magic-rich city of Norio,[…]
FORTHCOMING Spring 2025
Whose Mediterranean are we talking about? What languages are most appropriate to its reception and understanding? With two-thirds constituted by the histories and cultures of its African and Asian shorelines and hinterlands, and its principal spoken language – in all its variants and dialects – being Arabic, then the Mediterranean clearly exceeds the Western frame[…]
FORTHCOMING Spring 2025
Before the World War II, most anthropological research in Puerto Rico was led by US anthropologists. The most famous project, The People of Puerto Rico, was directed by American anthropologist Julian Steward and launched the career of renowned scholars such as Sidney Mintz and Eric Wolf. Gazing at the Puerto Rican Anthropological Landscape aims to[…]
Imprint: Dead Letter Office
Published: 10/13/2022
Blending literary analysis and memoir, Something More Splendid Than Two is at once an excavation of intergenerational wounds, a dance number, a poem, and a fraught love letter from son to father that disrupts the dominant narratives surrounding the life and myth of Joaquín Murrieta. In the Mexican American imaginary, the legend of Joaquín Murrieta[…]
Published: 07/28/2022
Works for Works, Book 1: Useless Beauty tackles “legacy” issues of intellectual property rights (IPR) in artistic production and academic scholarship and proposes a category or class of works that has no relation to IPR nor to proprietary regimes of copyright and academic privilege. Keeney’s book is a structuralist argument for establishing new forms of[…]