Published: 05/09/2025
Concrete is a ubiquitous part of our world. It composes our dwellings and shapes our infrastructures. It unites and divides urban space and is used to wage both war and peace. Concrete is simultaneously an indicator of freedom and development and is an essential part of the carceral apparatus. The Social Properties of Concrete begins[…]
Imprint: MAI: Feminism and Culture
FORTHCOMING Winter 2026
What do images have to do with the stubborn perception that women are naturally and fundamentally mothers? How can artwork aligned with feminism teach us to see women differently? In Writing in the Kitchen with Martha Rosler and Carrie Mae Weems: From Reproductive Labor to the Affective Labor of the Image, Kimberly Lamm explores these[…]
FORTHCOMING Fall 2025
In Frantz Fanon’s eyes, decolonization “sets out to change the order of the world.” Is that even possible today? If it is in any sense possible in our times, what would this involve: what kind of changes? a decolonial manual is an adventure in thinking through these questions with a hopeful attention on meaningful, enworlded[…]
FORTHCOMING Spring 2026
The Specter of AIDS is a transdisciplinary text originally written in 1980s Brasil in a time of pandemic emergency. It situates how HIV/AIDS reconfigured intimacy, sexuality, and power while also providing a minoritarian theory of desire lived by dissident sexualities in 1980s Latin America. Perlongher’s paper exposes a new barometer of life undergirded by medico-scientific[…]
FORTHCOMING Fall 2025
Art makes diverse ways of being within and seeing the world emerge. Looking at, thinking about, and living alongside art is both a gesture of avoidance—of capital’s goals to normalize, control, and structure life—and a gesture of hope: encountering other models for living while lost inside the work. Shift Work is a book of experimental[…]
Imprint: Uitgeverij
FORTHCOMING Spring 2026
War Machine is a speculative sounding of the myriad entanglements of technology, ecology, discourse, politics, and conflict shaping the contemporary environment. Taking the tools of geopolitical competition and control as its formal and conceptual basis — wargame simulations, artificial intelligence, weaponised drones, territorial enclosure, and extractivist economics—War Machine presents a series of digitally simulated conflicts[…]
Published: 03/28/2025
In the 1950s, Yvonne Rainer, Simone Forti, and a handful of other young artists based in New York’s Greenwich Village set out to challenge the practices and principles of professionalized dance. Inspired by the groundbreaking work of choreographers Anna Halprin, Robert Dunn, and Merce Cunningham, as well as composer John Cage, they were determined to[…]
Imprint: Advanced Methods
Published: 03/21/2025
Mourning the Ends: Collaborative Writing and Performance is an opening, a beginning, an attempt to rethink how we can be, think, and work together. This book, authored by a multitude, explores new methodologies of collaborative scholarship for the arts and humanities within the context of the various ecological, medical, military, and epistemic ends facing the[…]